VideoStudio

Strengths

Task areas this agent handles more reliably. The closer your task is, the more stable the result should be.

• Routes video requests into COMPOSE, GENERATE, EDIT, or AUTO production lines and loads only the skills needed by the locked line.
• Separates user-visible gates from internal production states so technical work proceeds without extra approval loops.
• Builds reusable project artifacts around versioned composition-manifest.json, a native protected scaffold, model-authored visual HTML, render outputs, and plan.json edit records.
• Uses model-authored COMPOSE HTML as the default so visual quality and design extensibility stay under model control.
• Keeps follow-up edits localized to the affected segment, narration line, caption, trim, or shot instead of rebuilding the whole video.
• Blocks COMPOSE preview/draft on structural QA and semantic visual defects such as unreadable text, overflow, occlusion, unsafe placement, low contrast, or primary content outside canvas; palette and decorative-variety findings remain advisory.
• Uses SVG as the preferred visual layer for diagrams, lines, nodes, charts, progress, and background geometry while GSAP orchestrates deterministic motion.
• Applies a frontend-design aesthetic thesis before composition so subject matter drives typography, palette, layout signature, and motion choices.
• Preserves natural English casing for readable COMPOSE copy and treats all caps as a bounded accent for one short metadata label, acronym, or code instead of a default typography style.
• Uses frontend-design generation references and adapted CSS/SVG visual primitives during initial HTML authorship, with a private pre-code art-direction pass that adds no user gate.
• Applies HyperFrames-style composition discipline in COMPOSE: visual identity before HTML, resolved hero frames before motion, and GSAP entrances/reveals into those stable layouts.
• Front-loads COMPOSE visual direction with design tradition, lazy-default rejection, video scale, depth layers, typography register, motion verbs, and rhythm before HTML authoring.
• Uses native semantic visual QA to block unreadable content while keeping thin-contract, repeated-grammar, one-note-palette, and decorative-complexity findings advisory.
• Captures a multi-keyframe HTML preview contact sheet before expensive renders and requires one complete review of every returned frame before publishing the existing Preview Gate artifact.
• Streams captured PNG frames directly into ffmpeg and records observed capture throughput, realtime factor, and encoder finalization time instead of relying only on estimated render cost.
• Supports explicit golden visual baselines whose drift is reported as an advisory rather than an automatic rerender trigger.
• Imports DESIGN.md, brand, screenshot, Figma, or named style references into compact composition tokens without loading a whole external design system.
• Requires a signature-bound structured composition design review before exposing captured COMPOSE previews; post-draft design review is only a fallback when preview was skipped.
• Materializes standalone COMPOSE narration only after Gate B artifact signing, capability preflight, canonical manifest validation, and scaffold preparation; a durable pending/synthesized transaction recovers matching paid audio without a second request.
• Carries one explicit COMPOSE Gate B approval across a bounded, structure-preserving narration timing repair after measured speech misses the delivery band.
• Treats Gate D as the final confirmation for default exports and automatically selects the highest safe machine render profile without reopening a user gate.
• Uses one EDL track contract across planning and assembly: disabled narration/music/captions are omitted or null, while only tracks with executable content are synthesized, mixed, or burned.
• Treats motion_min_ratio as a real-footage/generated-video floor and fixes it at zero for compose_led plans, whose HTML motion is enforced by native inspect, snapshot, and draft QA.
• Keeps produced media and plan.json faithful so later edits remain auditable and cheap.
• Blocks COMPOSE Gate D when contract-to-HTML consistency, source alignment, narration mapping, lint, semantic visual inspect, audio timing, render, video-frame QA, or required structured design review fails.
• Removes fixed COMPOSE template compilation so placeholder layouts cannot replace model-authored visual design.
• Runs one fail-closed COMPOSE preflight against the canonical manifest, protected scaffold, local assets, source mapping, narration timing, and deterministic runtime before any full render.
• Writes draft contact sheets and per-sample evidence frames so design review is based on stable visual proof instead of open-ended video replay.
• Keeps COMPOSE SVG-first and uses GSAP only for purposeful deterministic timeline motion, with a local offline vendor path instead of CDN runtime dependencies.
• Requires a passing semantic contact sheet plus explicit composition.approve_preview before mp4 rendering when duration is at least 20 seconds or scene count is at least 3; a later turn alone never grants approval.
• Uses one project-scoped production control record for EDL Gate B, exact Gate C generation intents, AUTO child-COMPOSE approval inheritance, and idempotent billable generation transactions across conversation tasks.
• Inherits a passed approved-preview design verdict into COMPOSE draft readiness, while no-preview fallback repair verdicts require changed inputs and a new draft signature.
• Probes final COMPOSE media/audio streams and blocks narrated drafts only when the produced mp4 is structurally wrong, missing audio, or shorter than declared narration coverage.
• Separates the current User UI language for chat/status/forms from the selected video language for narration, captions, approved on-screen copy, titles, subtitles, and CTAs.

Delivery standards

Standards this agent checks before handing off a result.

• User-facing confirmation titles and explanations must use localized plain language: 制作方向确认 / Direction confirmation, 制作方案确认 / Production plan confirmation, 付费素材生成确认 / Paid generation confirmation, 画面预览确认 / Visual preview confirmation, and 成片确认 / Final video confirmation. Gate A/B/C/D, HTML Preview, and decision ids are internal protocol terms and must not appear in normal user-facing copy.
• Every deliverable must expose a visible artifact or draft preview before asking the user to approve the next production step.
• Every video plan must state a locked audio mode at direction confirmation and production plan confirmation: narrated, no narration / visual-only, music/SFX only, or source audio. Silence must be explicit, not an implicit default.
• EDL tracks are enabled by executable content, not key presence: omit or set disabled tracks to null; narration requires a voice plus non-empty lines, music requires a path, and captions require non-empty lines or a valid from source.
• EDL motion_min_ratio measures real footage/generated video; compose_led must use 0 because native composition QA enforces HTML/SVG/CSS/GSAP motion separately.
• Every COMPOSE Gate B shotlist must declare target_duration_seconds, video_language, audio_mode, caption_mode, and music_mode; downstream tools reject omitted delivery requirements and empty source_shots mappings.
• Never perform a gate-governed creative, render, export, or billable transition unless gate-control returns that exact authorization and next operation for the current artifact state.
• Gate form schemas, decision ids, revision scope, recovery authorization, approval reuse, and amendment ordering live only in gate-control; the parent agent and line skills must not restate them.
• After routing, do not load unrelated line skills or inspect platform runtime/source code to discover script internals.
• Final video output must satisfy the agreed aspect ratio, duration intent, readable safe-zone text, audio loudness, and platform fit.
• Keep project/plan.json faithful to produced media so later edits can be localized and auditable.
• COMPOSE composition-manifest.json v2 is the only structural source of truth for canvas, scenes, timing, approved copy, source mapping, semantic roles, the Gate B-signed narration intent, declarative audio, and audio ownership; v1 remains legacy-read compatibility only.
• For every off-screen narration path, call video_studio speech.capabilities before Gate B, choose a voice whose native_locale or verified supported_locales matches the deliverable language, and sign route_ref/voice_ref/display_name/language/speed in the manifest or EDL. Never invent or override a provider voice id; language_confidence=candidate is not production-ready for a non-native language.
• COMPOSE initial HTML generation must apply the frontend-design pre-code art-direction pass and generation references internally; it must not add a separate blueprint approval or user gate.
• COMPOSE visual authoring must confirm manifest art_direction and VisualDirectionV1 first, build each scene's readable resolved/hero frame as static HTML/CSS/SVG, then add GSAP entrances, reveals, and transitions into that layout.
• COMPOSE VisualDirectionV1 must reject generic lazy defaults and define a real design tradition, video-scale floor, three-layer scene depth, typography register, motion verbs, and rhythm pattern before model-authored HTML.
• COMPOSE typography must preserve approved English casing: titles use sentence or natural title case, while body/captions/subtitles/CTAs use sentence case. Existing all caps may remain only for one short metadata label, acronym, or code when that casing is explicit in approved user copy or an external brand/source. A model-authored art direction, design tradition, typography register, or generic tech/editorial mood never authorizes converting copy to all caps. Never apply text-transform: uppercase through a broad selector.
• COMPOSE preview and draft preflight treat missing preview-required art direction as blocking: aesthetic thesis, VisualDirectionV1, motion budget, scene variation budget, per-scene depth layers, and per-scene motion verbs must be complete before HTML preview or mp4 rendering.
• COMPOSE art direction must include style_source when an external DESIGN.md, brand guide, screenshot, reference site, Figma note, existing app UI, or named style influenced the design.
• COMPOSE draft readiness and design-review evidence are production facts; gate-control alone decides whether the current artifact may open Gate D.
• Gate B plan signing and signed-payload amendment ordering are owned by gate-control; COMPOSE production must execute only the operation sequence returned for the current real user turn.
• Every new or resumed COMPOSE production turn starts with composition.status; use composition.reconcile when files and durable evidence disagree. production_state.stage and next_allowed_ops are compatibility hints only; each native operation enforces its own current-fact preconditions.
• Before narrated COMPOSE Gate B, write the candidate script, shotlist, and canonical manifest together, then run composition.check_narration_fit internally and open Gate B only when gate_b_ready=true. A measured mismatch persists voice/speed calibration and a bounded timing-repair authorization across revisions; revise to suggested_units and recheck without another paid request. When approval_inherited=true and gate_b_required=false, continue with composition.prepare and never reopen Gate B for that repair.
• Standalone COMPOSE narration must use composition.materialize_narration after prepare and before snapshot/draft delivery; it may recover after visual authoring while preserving model DOM/CSS/SVG, preserves the Gate B target duration, blocks estimated under/over-length before billing, and preserves mismatched measured audio as a recoverable transaction instead of shortening the video.
• If COMPOSE is narrated, Gate B-approved narrator lines must be written into scene narration_text and composition.materialize_narration is required after prepare; if COMPOSE is visual-only/SFX-only, narration_text stays empty and the gate must explicitly say no voiceover will be generated.
• Canonical COMPOSE files plus signature-bound approvals, narration transactions, QA evidence, and revision records are the enforced production facts. VideoProductionStateV1 stage is retained only for compatibility and must never authorize or reject an operation.
• Preview and draft QA must capture semantic evidence for every canonical scene, plus hook and payoff checkpoints.
• A COMPOSE draft may render only after lint, contract/source/audio checks, semantic visual inspect blockers, and any required pre-preview full-frame design review pass; draft then retains render-specific media, timing, audio, blank/frozen-frame, and encoding QA.
• COMPOSE HTML/CSS/SVG must consume manifest art-direction typography, layout, and baseline color tokens; purposeful supporting hues are allowed when they improve brand fidelity, hierarchy, data meaning, or scene variation.
• COMPOSE manifest scenes with narration audio must include narration_text, narration_refs, or source_shots mapping so voiceover-to-visual alignment is auditable.
• COMPOSE production must use model-authored project/composition/index.html; fixed spec-to-template compilation is not part of the path.
• Narrated COMPOSE drafts must declare composition-owned audio as manifest tracks; imperative Audio/play/pause/currentTime control is a structural error.
• COMPOSE drafts must pass unified preflight before rendering: the versioned manifest is valid, scaffold canvas/timing match, approved scene copy appears in HTML, semantic hooks exist, and local assets resolve.
• COMPOSE index.html must not depend on http/https runtime resources; scripts, fonts, images, CSS, audio, and video must be vendored or produced inside the composition directory.
• Narrated COMPOSE drafts with scene narration_ref or missing inline narration text/timing must include narration-map.json so narration-to-scene alignment is checked before Gate D.
• COMPOSE preview design review must inspect every snapshot frame_path—first frame, every scene midpoint, and payoff—and submit reviewed_frame_paths before the contact sheet becomes a user-visible Preview Gate artifact; draft evidence is only the no-preview fallback.
• COMPOSE HTML preview evidence is required before draft when target duration is at least 20 seconds or scene count is at least 3, or when shorter work has dense or complex visuals or a prior draft failed. composition.snapshot supplies the evidence, composition.submit_design_review completes internal review, and gate-control decides the resulting existing Preview transition.
• COMPOSE visuals should be SVG-first; use GSAP only for purposeful timed reveals, transitions, or emphasis that improve comprehension.
• COMPOSE palette, variety, safe-area heuristics, and decorative-complexity warnings are advisory. Fatal runtime/media-integrity failures block capture. High-confidence readability and primary-layout failures may still capture a contact-sheet preview for evidence, but they cannot mint preview approval or advance to draft until repaired.
• COMPOSE HTML must keep data-scene-id on scene roots and data-role on important title/body/label/caption/visual elements; preview/draft semantic evidence must show the expected scene and a visible first-frame title promise.

Input and output

Workflow

How to use in Orkas

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擅长能力

智能体更擅长的任务领域。你的任务越贴近，它越能给出稳定、优质的结果。

• Routes video requests into COMPOSE, GENERATE, EDIT, or AUTO production lines and loads only the skills needed by the locked line.
• Separates user-visible gates from internal production states so technical work proceeds without extra approval loops.
• Builds reusable project artifacts around versioned composition-manifest.json, a native protected scaffold, model-authored visual HTML, render outputs, and plan.json edit records.
• Uses model-authored COMPOSE HTML as the default so visual quality and design extensibility stay under model control.
• Keeps follow-up edits localized to the affected segment, narration line, caption, trim, or shot instead of rebuilding the whole video.
• Blocks COMPOSE preview/draft on structural QA and semantic visual defects such as unreadable text, overflow, occlusion, unsafe placement, low contrast, or primary content outside canvas; palette and decorative-variety findings remain advisory.
• Uses SVG as the preferred visual layer for diagrams, lines, nodes, charts, progress, and background geometry while GSAP orchestrates deterministic motion.
• Applies a frontend-design aesthetic thesis before composition so subject matter drives typography, palette, layout signature, and motion choices.
• Preserves natural English casing for readable COMPOSE copy and treats all caps as a bounded accent for one short metadata label, acronym, or code instead of a default typography style.
• Uses frontend-design generation references and adapted CSS/SVG visual primitives during initial HTML authorship, with a private pre-code art-direction pass that adds no user gate.
• Applies HyperFrames-style composition discipline in COMPOSE: visual identity before HTML, resolved hero frames before motion, and GSAP entrances/reveals into those stable layouts.
• Front-loads COMPOSE visual direction with design tradition, lazy-default rejection, video scale, depth layers, typography register, motion verbs, and rhythm before HTML authoring.
• Uses native semantic visual QA to block unreadable content while keeping thin-contract, repeated-grammar, one-note-palette, and decorative-complexity findings advisory.
• Captures a multi-keyframe HTML preview contact sheet before expensive renders and requires one complete review of every returned frame before publishing the existing Preview Gate artifact.
• Streams captured PNG frames directly into ffmpeg and records observed capture throughput, realtime factor, and encoder finalization time instead of relying only on estimated render cost.
• Supports explicit golden visual baselines whose drift is reported as an advisory rather than an automatic rerender trigger.
• Imports DESIGN.md, brand, screenshot, Figma, or named style references into compact composition tokens without loading a whole external design system.
• Requires a signature-bound structured composition design review before exposing captured COMPOSE previews; post-draft design review is only a fallback when preview was skipped.
• Materializes standalone COMPOSE narration only after Gate B artifact signing, capability preflight, canonical manifest validation, and scaffold preparation; a durable pending/synthesized transaction recovers matching paid audio without a second request.
• Carries one explicit COMPOSE Gate B approval across a bounded, structure-preserving narration timing repair after measured speech misses the delivery band.
• Treats Gate D as the final confirmation for default exports and automatically selects the highest safe machine render profile without reopening a user gate.
• Uses one EDL track contract across planning and assembly: disabled narration/music/captions are omitted or null, while only tracks with executable content are synthesized, mixed, or burned.
• Treats motion_min_ratio as a real-footage/generated-video floor and fixes it at zero for compose_led plans, whose HTML motion is enforced by native inspect, snapshot, and draft QA.
• Keeps produced media and plan.json faithful so later edits remain auditable and cheap.
• Blocks COMPOSE Gate D when contract-to-HTML consistency, source alignment, narration mapping, lint, semantic visual inspect, audio timing, render, video-frame QA, or required structured design review fails.
• Removes fixed COMPOSE template compilation so placeholder layouts cannot replace model-authored visual design.
• Runs one fail-closed COMPOSE preflight against the canonical manifest, protected scaffold, local assets, source mapping, narration timing, and deterministic runtime before any full render.
• Writes draft contact sheets and per-sample evidence frames so design review is based on stable visual proof instead of open-ended video replay.
• Keeps COMPOSE SVG-first and uses GSAP only for purposeful deterministic timeline motion, with a local offline vendor path instead of CDN runtime dependencies.
• Requires a passing semantic contact sheet plus explicit composition.approve_preview before mp4 rendering when duration is at least 20 seconds or scene count is at least 3; a later turn alone never grants approval.
• Uses one project-scoped production control record for EDL Gate B, exact Gate C generation intents, AUTO child-COMPOSE approval inheritance, and idempotent billable generation transactions across conversation tasks.
• Inherits a passed approved-preview design verdict into COMPOSE draft readiness, while no-preview fallback repair verdicts require changed inputs and a new draft signature.
• Probes final COMPOSE media/audio streams and blocks narrated drafts only when the produced mp4 is structurally wrong, missing audio, or shorter than declared narration coverage.
• Separates the current User UI language for chat/status/forms from the selected video language for narration, captions, approved on-screen copy, titles, subtitles, and CTAs.

交付标准

智能体判断结果能否交付的标准。每次输出前，都会优先对照这些要求自检。

• User-facing confirmation titles and explanations must use localized plain language: 制作方向确认 / Direction confirmation, 制作方案确认 / Production plan confirmation, 付费素材生成确认 / Paid generation confirmation, 画面预览确认 / Visual preview confirmation, and 成片确认 / Final video confirmation. Gate A/B/C/D, HTML Preview, and decision ids are internal protocol terms and must not appear in normal user-facing copy.
• Every deliverable must expose a visible artifact or draft preview before asking the user to approve the next production step.
• Every video plan must state a locked audio mode at direction confirmation and production plan confirmation: narrated, no narration / visual-only, music/SFX only, or source audio. Silence must be explicit, not an implicit default.
• EDL tracks are enabled by executable content, not key presence: omit or set disabled tracks to null; narration requires a voice plus non-empty lines, music requires a path, and captions require non-empty lines or a valid from source.
• EDL motion_min_ratio measures real footage/generated video; compose_led must use 0 because native composition QA enforces HTML/SVG/CSS/GSAP motion separately.
• Every COMPOSE Gate B shotlist must declare target_duration_seconds, video_language, audio_mode, caption_mode, and music_mode; downstream tools reject omitted delivery requirements and empty source_shots mappings.
• Never perform a gate-governed creative, render, export, or billable transition unless gate-control returns that exact authorization and next operation for the current artifact state.
• Gate form schemas, decision ids, revision scope, recovery authorization, approval reuse, and amendment ordering live only in gate-control; the parent agent and line skills must not restate them.
• After routing, do not load unrelated line skills or inspect platform runtime/source code to discover script internals.
• Final video output must satisfy the agreed aspect ratio, duration intent, readable safe-zone text, audio loudness, and platform fit.
• Keep project/plan.json faithful to produced media so later edits can be localized and auditable.
• COMPOSE composition-manifest.json v2 is the only structural source of truth for canvas, scenes, timing, approved copy, source mapping, semantic roles, the Gate B-signed narration intent, declarative audio, and audio ownership; v1 remains legacy-read compatibility only.
• For every off-screen narration path, call video_studio speech.capabilities before Gate B, choose a voice whose native_locale or verified supported_locales matches the deliverable language, and sign route_ref/voice_ref/display_name/language/speed in the manifest or EDL. Never invent or override a provider voice id; language_confidence=candidate is not production-ready for a non-native language.
• COMPOSE initial HTML generation must apply the frontend-design pre-code art-direction pass and generation references internally; it must not add a separate blueprint approval or user gate.
• COMPOSE visual authoring must confirm manifest art_direction and VisualDirectionV1 first, build each scene's readable resolved/hero frame as static HTML/CSS/SVG, then add GSAP entrances, reveals, and transitions into that layout.
• COMPOSE VisualDirectionV1 must reject generic lazy defaults and define a real design tradition, video-scale floor, three-layer scene depth, typography register, motion verbs, and rhythm pattern before model-authored HTML.
• COMPOSE typography must preserve approved English casing: titles use sentence or natural title case, while body/captions/subtitles/CTAs use sentence case. Existing all caps may remain only for one short metadata label, acronym, or code when that casing is explicit in approved user copy or an external brand/source. A model-authored art direction, design tradition, typography register, or generic tech/editorial mood never authorizes converting copy to all caps. Never apply text-transform: uppercase through a broad selector.
• COMPOSE preview and draft preflight treat missing preview-required art direction as blocking: aesthetic thesis, VisualDirectionV1, motion budget, scene variation budget, per-scene depth layers, and per-scene motion verbs must be complete before HTML preview or mp4 rendering.
• COMPOSE art direction must include style_source when an external DESIGN.md, brand guide, screenshot, reference site, Figma note, existing app UI, or named style influenced the design.
• COMPOSE draft readiness and design-review evidence are production facts; gate-control alone decides whether the current artifact may open Gate D.
• Gate B plan signing and signed-payload amendment ordering are owned by gate-control; COMPOSE production must execute only the operation sequence returned for the current real user turn.
• Every new or resumed COMPOSE production turn starts with composition.status; use composition.reconcile when files and durable evidence disagree. production_state.stage and next_allowed_ops are compatibility hints only; each native operation enforces its own current-fact preconditions.
• Before narrated COMPOSE Gate B, write the candidate script, shotlist, and canonical manifest together, then run composition.check_narration_fit internally and open Gate B only when gate_b_ready=true. A measured mismatch persists voice/speed calibration and a bounded timing-repair authorization across revisions; revise to suggested_units and recheck without another paid request. When approval_inherited=true and gate_b_required=false, continue with composition.prepare and never reopen Gate B for that repair.
• Standalone COMPOSE narration must use composition.materialize_narration after prepare and before snapshot/draft delivery; it may recover after visual authoring while preserving model DOM/CSS/SVG, preserves the Gate B target duration, blocks estimated under/over-length before billing, and preserves mismatched measured audio as a recoverable transaction instead of shortening the video.
• If COMPOSE is narrated, Gate B-approved narrator lines must be written into scene narration_text and composition.materialize_narration is required after prepare; if COMPOSE is visual-only/SFX-only, narration_text stays empty and the gate must explicitly say no voiceover will be generated.
• Canonical COMPOSE files plus signature-bound approvals, narration transactions, QA evidence, and revision records are the enforced production facts. VideoProductionStateV1 stage is retained only for compatibility and must never authorize or reject an operation.
• Preview and draft QA must capture semantic evidence for every canonical scene, plus hook and payoff checkpoints.
• A COMPOSE draft may render only after lint, contract/source/audio checks, semantic visual inspect blockers, and any required pre-preview full-frame design review pass; draft then retains render-specific media, timing, audio, blank/frozen-frame, and encoding QA.
• COMPOSE HTML/CSS/SVG must consume manifest art-direction typography, layout, and baseline color tokens; purposeful supporting hues are allowed when they improve brand fidelity, hierarchy, data meaning, or scene variation.
• COMPOSE manifest scenes with narration audio must include narration_text, narration_refs, or source_shots mapping so voiceover-to-visual alignment is auditable.
• COMPOSE production must use model-authored project/composition/index.html; fixed spec-to-template compilation is not part of the path.
• Narrated COMPOSE drafts must declare composition-owned audio as manifest tracks; imperative Audio/play/pause/currentTime control is a structural error.
• COMPOSE drafts must pass unified preflight before rendering: the versioned manifest is valid, scaffold canvas/timing match, approved scene copy appears in HTML, semantic hooks exist, and local assets resolve.
• COMPOSE index.html must not depend on http/https runtime resources; scripts, fonts, images, CSS, audio, and video must be vendored or produced inside the composition directory.
• Narrated COMPOSE drafts with scene narration_ref or missing inline narration text/timing must include narration-map.json so narration-to-scene alignment is checked before Gate D.
• COMPOSE preview design review must inspect every snapshot frame_path—first frame, every scene midpoint, and payoff—and submit reviewed_frame_paths before the contact sheet becomes a user-visible Preview Gate artifact; draft evidence is only the no-preview fallback.
• COMPOSE HTML preview evidence is required before draft when target duration is at least 20 seconds or scene count is at least 3, or when shorter work has dense or complex visuals or a prior draft failed. composition.snapshot supplies the evidence, composition.submit_design_review completes internal review, and gate-control decides the resulting existing Preview transition.
• COMPOSE visuals should be SVG-first; use GSAP only for purposeful timed reveals, transitions, or emphasis that improve comprehension.
• COMPOSE palette, variety, safe-area heuristics, and decorative-complexity warnings are advisory. Fatal runtime/media-integrity failures block capture. High-confidence readability and primary-layout failures may still capture a contact-sheet preview for evidence, but they cannot mint preview approval or advance to draft until repaired.
• COMPOSE HTML must keep data-scene-id on scene roots and data-role on important title/body/label/caption/visual elements; preview/draft semantic evidence must show the expected scene and a visible first-frame title promise.

输入输出

工作流程

如何在 Orkas 中使用

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